Wednesday, 2 March 2022
Slava Ukraini!
Sunday, 7 November 2021
Poets Corner
Lenin, on arrival at the Finland Station in Petrograd, speaks:
Barnsley / Utopia
Verse for the versifier, the Beefheart of Barnsley
See the town there in the middle – Utopia
We recognize no theory
Barnsley Dada, it’s as easy as one two three;
The Jackson 5 shimmy down Eldon Street
Past the NHS Yorkshire Smokefree
Choose what works for you: A, B, C.
Non-art REALlTY to be grasped by all peoples
Hannah Hoch in the Alhambra Shopping Centre
Admiring McGuinn’s Rickenbacker and Marvin’s Fender.
“Apache” on a Sunburst ’57 Stratocaster, so tender.
Dada; abolition of memory
Dada; abolition of archaeology
Barnsley Beefheart purges the world of dead art,
Revolutionary Poet in a state of
constant transformation,
The business and purpose of poetry? Barnsleyfication!
Helene Abelen humming “Blame it on the Boogie”
Dada means nothing, Barnsley means everything
Barnsley buildings, concrete poetry and grapefruit.
Kurt Schwitters holds back the water, a Merz Canute
Les chiens sont amicaux mais les voies ferrées ne convergent pas
Das Meer ist blau
Unter der Linden
In der Ecke
Kartoffeln
See, ART DADA, see, BUILDING DADA:
Marc Quinn – Barnsleyfied
Jala Wahid – Barnsleyfied
Mark Wallinger – Barnsleyfied
Niki de Saint Phalle – Barnsleyfied
Chris Ofili – Barnsleyfied
Cornelia Parker – Barnsleyfied
Tony Cragg – Barnsleyfied
Rachel Whiteread– Barnsleyfied
David Nash – Barnsleyfied
Maya Derren – Barnsleyfied
Whisper it, “And the beat goes on”.
Thursday, 30 September 2021
Celebrating the 156th anniversary of Roger Fenton's "September Clouds, 1856"
The Bloggist tips his hat to Mr Roger Fenton who, in 1856, photographed clouds and landscape on the same negative. In the mid-19th Century it required a relatively long exposure to achieve detail in a landscape but this would result in a blank white sky as the sky was so much brighter than the land. Photographers who wished to include detail in the sky in landscape photographs would make one exposure for the landscape and, on a new plate, another for the sky. When printing out, the two negative images would be combined in a positive print. Mr Fenton seems to have aimed to combine both aspects of a landscape on one negative, a novel approach for the period.
The Bloggist has found two images with the title
“September Clouds” and dated 1856. One in The Royal Photographic Society
collection housed in the Victoria and Albert Museum in South Kensington,
London, (https://collections.vam.ac.uk/item/O1410698/september-clouds-photograph-fenton-roger/),
and another in the collection of The Metropolitan Museum of Art on Fifth Avenue
in New York, (https://www.metmuseum.org/art/collection/search/282040).
In homage to these images the Bloggist publishes four of his own cloud
photographs.
Tuesday, 17 August 2021
Four Belgian Artists
Rik Wouters and Nel Wouters-Duerinckx
Rik Wouters, cancer chews your jaw, delicate as cherry blossom
Nel Duerinckx, in a red stripped dress, blood soaked bandages in Liège
Gustave de Smet
African masks, Gust de Smet explain ten million dead in the Congo
Caroline Chariot Dayez
Painting is women artists lost, wrapped in fabric hung on a wall
Tuesday, 15 June 2021
On Bloomsday, remembering Lucia Joyce
St. Dymphna in St Andrew from1951 to 1982, Northampton.
A lithe dancer, sweet and ironic; but angered when confined to a straitjacket.
Six in rhythm and colour at the Bal Bullier, Tous Les Jeudis, Grande Fête.
James and Sam heckling the judges.
Lucia, manic enthusiasm, energy, experiencing distress, marginalization and a predilection for unprotected sex, anger, anxiety and panic attacks.
Lucia painting her face black, changing a movement, changing it back again.
Sending telegrams to dead people.
Beckett at Castle Station, morning sun on Via Nuova, cold winter on the Billing Road.
https://www.findagrave.com/memorial/43484927/lucia-anna-joyce
Sunday, 21 March 2021
They Are Legion
"Nationalism is the culture of the uncultivated, and they are legion"
Quoted by Clive James in Cultural Amnesia, page 792
Monday, 7 September 2020
Josef Albers and Kazimir Malevich collaborate on a new work
The Bloggist and his friend, Alfred Jarry, meet Josef Albers and Kazimir Malevich.
Albers and Malevich collaborate on a new work.
“Wir wollten uns auf den neuesten Stand bringen und uns mit
diesem Street Art-Zeug beschäftigen”, confesses Albers.
“C’est un peu, euh, sombre”, suggests Jarry. “Pas de
couleurs sourdes, juste des nuances de gris?”
Malevich wants to know, “Как вы думаете, это работает?”
“Natürlich funktioniert es, Kazimir; glaube an deine Kunst.”




