Poets Corner

Lenin, on arrival at the Finland Station in Petrograd, speaks:

Barnsley / Utopia

Verse for the versifier, the Beefheart of Barnsley

See the town there in the middle – Utopia

We recognize no theory

Barnsley Dada, it’s as easy as one two three;

The Jackson 5 shimmy down Eldon Street

Past the NHS Yorkshire Smokefree

Choose what works for you: A, B, C.

Non-art REALlTY to be grasped by all peoples

Hannah Hoch in the Alhambra Shopping Centre

Admiring McGuinn’s Rickenbacker and Marvin’s Fender.

“Apache” on a Sunburst ’57 Stratocaster, so tender. 

Dada; abolition of memory

Dada; abolition of archaeology

Barnsley Beefheart purges the world of dead art,

Revolutionary Poet in a state of constant transformation,

The business and purpose of poetry? Barnsleyfication!

Helene Abelen humming “Blame it on the Boogie”

Dada means nothing, Barnsley means everything

Barnsley buildings, concrete poetry and grapefruit.

Kurt Schwitters holds back the water, a Merz Canute

Les chiens sont amicaux mais les voies ferrées ne convergent pas

Das Meer ist blau

Unter der Linden

In der Ecke

Kartoffeln

 

See, ART DADA, see, BUILDING DADA:

Marc Quinn – Barnsleyfied

Jala Wahid – Barnsleyfied

Mark Wallinger – Barnsleyfied

Niki de Saint Phalle – Barnsleyfied

Chris Ofili – Barnsleyfied

Cornelia Parker – Barnsleyfied

Tony Cragg – Barnsleyfied

Rachel Whiteread– Barnsleyfied

David Nash – Barnsleyfied

Maya Derren – Barnsleyfied

Whisper it, “And the beat goes on”.

Celebrating the 156th anniversary of Roger Fenton's "September Clouds, 1856"

The Bloggist tips his hat to Mr Roger Fenton who, in 1856, photographed clouds and landscape on the same negative. In the mid-19th Century it required a relatively long exposure to achieve detail in a landscape but this would result in a blank white sky as the sky was so much brighter than the land. Photographers who wished to include detail in the sky in landscape photographs would make one exposure for the landscape and, on a new plate, another for the sky. When printing out, the two negative images would be combined in a positive print. Mr Fenton seems to have aimed to combine both aspects of a landscape on one negative, a novel approach for the period.

The Bloggist has found two images with the title “September Clouds” and dated 1856. One in The Royal Photographic Society collection housed in the Victoria and Albert Museum in South Kensington, London, (https://collections.vam.ac.uk/item/O1410698/september-clouds-photograph-fenton-roger/), and another in the collection of The Metropolitan Museum of Art on Fifth Avenue in New York, (https://www.metmuseum.org/art/collection/search/282040). In homage to these images the Bloggist publishes four of his own cloud photographs.

Four Belgian Artists

Rik Wouters and Nel Wouters-Duerinckx

Rik Wouters, cancer chews your jaw, delicate as cherry blossom

 

Nel Duerinckx, in a red stripped dress, blood soaked bandages in Liège

 

Gustave de Smet

African masks, Gust de Smet explain ten million dead in the Congo

 

Caroline Chariot Dayez 

Painting is women artists lost, wrapped in fabric hung on a wall

On Bloomsday, remembering Lucia Joyce

 St. Dymphna in St Andrew from1951 to 1982, Northampton.

Trieste, Zurich, Paris, Northampton, but never Dublin, never Galway. 
A lithe dancer, sweet and ironic; but angered when confined to a straitjacket. 
Six in rhythm and colour at the Bal Bullier, Tous Les Jeudis, Grande Fête. 
James and Sam heckling the judges. 
Lucia, manic enthusiasm, energy, experiencing distress, marginalization and a predilection for unprotected sex, anger, anxiety and panic attacks. 
Lucia painting her face black, changing a movement, changing it back again. 
Sending telegrams to dead people. 
Beckett at Castle Station, morning sun on Via Nuova, cold winter on the Billing Road.

 

https://www.findagrave.com/memorial/43484927/lucia-anna-joyce

They Are Legion

"Nationalism is the culture of the uncultivated, and they are legion"

Mario Vargas Llosa in Contra Viento Y Marea, page 439
Quoted by Clive James in Cultural Amnesia, page 792

Quoted by The Bloggist of this Blog, 21st March 2021